“When we consider that graphic images of individuals being overcome by the 2011 tsunami in Japan were shown repeatedly, that a vigorous debate occurred last year regarding the release of the gruesome death photos of Osama bin Laden, and that vivid and disturbing images of 9/11 will likely appear on our television screens marking the anniversary of the attacks, we believe that our paper has something important to say regarding the impact of repeated exposure to graphic traumatic images.”
Silver argues that all the stakeholders – including media outlets, policymakers, parents, psychologists, and healthcare professionals – must be made aware of the fact that a steady diet of graphic media images is likely to have serious and long-lasting consequences.
An innovative theoretical reassessment of temporality in documentary films
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg’s sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of classical and recent experiments in film and video in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience.
Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the past one hundred years. Leshu Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response, ultimately calling on viewers to act on behalf of human rights.
THE GLOBITAL MEMORY FIELD
(…) Every year, at the genocide-commemoration ceremonies during mourning week, scores of Rwandans erupt in this way, unstrung by grief, convulsed and thrashing when anyone comes near to soothe or subdue them, including, at the stadium, yellow-vested trauma teams who carry them out, bucking and still screaming. You can expect it, but you can’t protect against it. All around the stadium, all around the city, all around the country hung misty-gray banners displaying the word kwibuka—“remember.” The lacerating voices in the stadium make the banners seem almost cruel. Is it really healing to keep reopening a wound? (…)