The experiment will consist in a video portrait where I depict a person from the dual perspective “Internal time” “Real Time”. The video will be the slow metamorfosis from one perspective to the other.
This transition between two “versions” of a person (in identical perspective and composition) will start in artificial and post-produced papier-maché surroundings.
But as time goes by in the film, we begin to discover a slow metamorphosis, whereby the postproduction, the artificial light and the “effects” begin to disappear, slowly revealing the person in her bedroom (in a real location, with natural light, free of any artifice). This slow transition reveals the character in an intimate setting yet vulnerable and uncomfortable, almost as if we were observing her.
In this piece the transition from both perspectives will be so slow that in order to see the passing of time you have to stop watching the screen. Just in the moment you return to watch the video is when you realized that something have changed, that something is really happening, that something is moving in the video. So you have to stop watching in order to really watch.
In this Portrait I want to depict a generation of Spaniards who lives in the nostalgia of a future that is no longer what it was, a “science-fiction” future, a nostalgia that crystallizes the present and paralyzes time.
For this slow motion I want to use a contemporary dancer who could be able to repeat, several times, exactly the same slow movement.
Nowdays we have devices of «digital memory» (Clipnarrative, Mecam…etc) that offer us the possibility of storage our daily live for an affordable price and little effort.
I´m really interesting in all the questions that this fact open about a possible future where we can rewind our memory everytime we need and the consequences of this permanent digital memory. We know that the act of remembering is as important as the act of forgetting (We need both in order to have a healthy mind). But beyond this questions I want to use this devices in order to experiment with multiperspective narrative, memory narrative and digital visualization of forgetting.
I´ve been thinking about create the following exercise (this is an idea in development).
1. Four people are asked to use for one day this tiny camera.
2. These four people have to be a group (friends, family etc) who are going to be part or attend to the same event that day.
3.The event should be a meaningful event for that group. Of course the most interesting the event and the group of people are the more interesting will be the exercise. So this is a very important point, but I need time to think and research about it.
4. Days after the event they will be asked about what they remember about that day (They will be asked to try to remember everything hour per hour).Their memories will be recorded.
5.The memories of each person will be check with the image they recorded.
6.The image will be distort through a process called «Databending» creating an effect called «Wordpad Effect». This software disrupt, intentionally, the information contained within a file. The level of distorsion in the image will be directly proportional to the level of forgetting in their memories. So if certain moment is remebered by the person very well the image will be very clear without «Wordpad effect». In the case a moment is forgotten the image will be highly distorsionated by this effect.
7. I will try to recreate that day an their experience mixing togueter all their memories within an Spatial Montage, where we can see and hear different interpretations of the same day and verify their memories. I think I can create an interesting exercise with all these elements but I have to think more about it. So…
`One of the most persuasive mistakes is to believe that our visual system gives a faithfull representation of what is «out there» in the same way that a movie camera would do. (…)You are not seeing the world in the rich detail that you implicitly believed you were; in fact, you are not aware of most of what hits your eyes. You only encode small amounts of information. The rest is assumption´
This words come from the book «Incógnito» written by the neuroscientist and writer David Engleman. I read this book time ago but a few months ago re-reading the parts that I highlited, I started to think if what we see, our level of atention, can be even more reduce in situations we´re too aware of ourselves. I found this idea relevant for my research because is related to the idea of «Reconsolidation» expose in my Research proposal and lead me to the idea that memories can be less reliable as much closer we´re involve on them. So I asked my self:
How much can change the level of attention if an spectator watch a situation with and without him?.
Which one is going to be more reliable when the spectator will remeber them? The one he is involved in or the one who is not?
What Can the difference between the level of attention tell us about the spectator? What Can the difference between his memories ( where he is involve or not) tell us about him?
This questions are linked to the core of my research proposal:
«Obviously, it was all a product of her illness, but as strange as it might sound, the way in which her memories evolved –with all those deliriums of fantasy- helped me understand and get to know who my grandmother really was.»
The evolution of memories can help us to decipher the inner self and the multiple layers behind the surface, as I experienced with my grandmother.
And because I think this is crucial for understanding the brain´s narrative so therefore the narrative I´m seeking for my project I want to made the following experiment:
1. Film 5 persons in an specific situation without them being aware of it.
2. Show to each person the video. In one part of it the person is involved and in the other part the person is not there. Meanwhile they are watching the video one camera (in the same situation of the screen) is filming the person. This video will be used to obtain the eye tracking in order to see how much attention have the person about the global scene while he is there (how much the person look himself during the sequence) and when he is not involved. This will be the first indicator of self awareness.
3. Some questions will be asked to the person about what happened in each part of the video. The difference between the level of attention in each part of the video (the one he is involved and the one he is not) will give us the second level of self awareness.
4. After the screening the person will be asked about what he remember about the two parts of the video.
5. After a period of time the person will be asked 9 times more (with an space of days or months among them) about what he remember from the two parts of the video. With this points (4 and 5) I want to see if the memories where we are involved could be less reliable than the memories we are not. But also see if the memories where we are involved are more supceptible to change while recreating them than the one we are not involved in.
I´m still thinking about this exercise and new points to ad an change but I think it could be a very interesting process in order to see how our level of self awareness can change our perception of facts and memories and how much the act of «reconsolidation» reveal about us.